pl
Oryginalny artykuł naukowy
Przegląd Europejski – European Studies Quarterly

Political Monologue vs. Political Dialogue in Graphic Novels

2016, 2016 (42), Numer 4

Wojciech Lewandowski

0000-0001-5159-8354

Uniwersytet Warszawski

DOI

10.31338/1641-2478pe.4.16.5

Data publikacji

30.04.2017

Model publikowania

open access

Rodzaj licencji

CC BY 4.0 Int.

Dziedzina

Dziedzina nauk społecznych

Dyscyplina

stosunki międzynarodowe, ekonomia i finanse, nauki o komunikacji społecznej i mediach, nauki o polityce i administracji, nauki o zarządzaniu i jakości, nauki prawne, nauki socjologiczne

Język publikacji

Angielski

Pliki do pobrania

PDF 277 KB

Artykuł

Liczba wyświetleń:101

Liczba pobrań:21

Cytowania Crossref:0

Wynik Altmetric:0

Abstrakt

Can a comic book communicate support to political status quo and strive to educate a society of obedient citizens who share common conservative values? Can it, in other cases, encourage tough questions and sound rebellious? And why are graphic novels so efficient as means of propaganda and ideological impact? Selected stories from “Commando” and “Battle” war comic series are discussed along with Alan Moore’s and David Lloyd’s V for Vendetta in order to look at hierarchical versus anarchistic political communication in British graphic novels. Special attention is paid to uniqueness of comic books as a medium.

Słowa kluczowe:

graphic novel,ideology,fascism,anarchism,terrorism,British,values,propaganda

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